Ghost of Tsushima: Dear Sony, Please Give Us the Japanese Voice Track
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It's definitely looking set to address many concerns with the DCEU thus far, with a more balanced tone and strongly defined characters. Unfortunately, the Aquaman footage that played in the same panel was not relea
Netflix had a major presence at SDCC 2017. Their biggest film was David Ayer's Bright, a fantasy police thriller where Will Smith's hardened cop is forced to team up with Joel Edgerton's heavily-makeup-ed
While these bizarre choices to keep certain games longer in the dark than others could be interpreted as Sony having faith in their first-parties to be big sellers without any additional marketing above and beyond the necessary, it instead tends to come across as ignorance at the clear bounty Sony has at their disposal. Fortunately, Sony’s mistakes during the past year have the luxury of being labeled as an "off-year" and can be completely disregarded as Sony continues to make plans for the next year in marketing. If Sony can reinstate a focus on E3 and PSX being the dates for fans to salivate at, and making sure their first-party titles can present something substantial in-between these six month gaps in at least one of the two events, as Sony has proven they can over the past few years, the publisher can return to being the giant to topple at some of the year’s biggest industry events.
Of course, you could look at it on a superficial level and be sold on the cool factor of feudal Japan, but diving deeper into the history of the events selected by Sucker Punch, you'll notice that there is more to it than meets the
Throughout the year, gaming conventions offer a great opportunity for publishers to unveil and highlight their upcoming lineup for the months ahead. While these anticipated events are often few and far between, each one presents a unique opportunity to showcase the titles fan should keep an eye on, and choosing which games to focus on can often be an overwhelming task. Fans’ desires will rarely line up with the actual schedule for a game’s development and ultimate release, leading to lengthy periods of radio silence followed by a disproportionate amount of details to share that can coincide with equally intriguing releases at the same time. This balancing act is a constant struggle to maintain, particularly due to the unpredictable nature of game development, leading to the inevitable outcome that certain press conferences will prove to be less memorable than others due to the availability of news and announcements.
As a recap, Riftbound was officially released in the US on October 31, 2025, in the form of Riftbound: Origins , the game's first set. Set 1 features "over 300 cards," as well as a handful of accessories, a Providing Grounds starter box, and three Champion starter decks. Riot Games sent us the Proving Grounds box, as well as those Champion starter decks for testing (Jinx, Lee Sin, and Viktor), and by the time I was done, I ended up heavily favoring 2v2 as my preferred form
Another interesting detail is that the landing in Komodahama happened on October 5th, 1274, and the Battle of Bun'Ei ended on October 21st. I couldn't find clear data on when Japanese relief forces reached the island of Tsushima, but it's probably not much later. This means that the story of the game is likely to be rather short in terms of timespan, as the first Mongol Invasion had a long buildup, but was ultimately a brief engagement. It'll be definitely interesting to see if the story will somehow extend to the second invasion. Since forces on the island held back the Mongol tide a few years later in 1281, it's quite possible that Sucker Punch will decide to include it at the end of the strategy game advanced Tactics|https://strategynewsbase.com/, or it could even be a good hook for a seq
There are actually theories that argue that the letter might have had the honest intention to seek friendly relations in order to sever the Japanese commercial links with Southern Sung (the southeastern area of China) that the Mongol Empire was preparing to invade. Yet, we'll never know what could have happened if the Japanese court had interpreted it that
Boy, that was a wake-up call. I'm definitely not exaggerating by telling you that I nearly flipped the laptop onto the floor; Ghost of Tsushima was the perfect storm between an established studio (whose work I love), and an exciting new IP in a setting that I ad
Over the past few years, Sony has been able to maintain a consistent level of expectations for fans to set for themselves, with E3 and PSX being the two standouts to look forward to for the biggest announcements and updates, and smaller news pieces being shuffled in throughout the year. After a couple of noteworthy E3s, Sony’s middling press conference at this year’s event left a lot of fans underwhelmed and anxious for more. In a moment of seeming panic, Sony set forth a chain of events that pushed forward a few of their key PSX announcements, including the reveal of Sucker Punch’s Ghost of Tsushima, up to the Paris Games Week press conference, an event that, in the past, had rarely been used for major reveals such as those. Teased as the "second half of E3" , the Paris Games Week presser, while distinctly more filled with new trailers, also ended up being fairly standard and middling, leaving fans to wonder what Sony had left up their sleeves for PSX.
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